A complex story of politics, religion, mysticism, treachery, revenge, prophesy and revolution. Sci-Fi Fantasy on a grand scale.
Dune is my second favourite sci-fi book after Arthur C. Clarke's "Rendezvous with Rama" but while this miniseries sticks closer to the source than David Lynch's film, the production values don't do it any favours, with poor effects and a second-rate cast.
The performances are all over the place; P.H. Moriarty as Gurney Halleck is terrible, Baron Harkonnen, Feyd and the Beast do not instil any sort of terror. Paul is played pretty well by Alec Newman, starting off as an arrogant, petulant child before becoming the devotion inspiring Mahdi. It's been a few years since I read the book but I'm sure some of the dialogue was "modernised" and didn't seem to have the elegant and archaic language of the book.
Effects-wise: the Shai-Hulud were okay and you got a good feel for their huge scale but it's best to ignore the shoddy green-screen work. The ornithopters didn't look anything like what I thought an ornithopter should look like.
The costumes and set-dressing, although cheap-looking, had that ostentatious Machiavellian/Borgia/Renaissance/Age of Enlightenment feel that runs throughout the book. I loved the fascistic Samurai look that they gave the Harkonnen and disguised Sardaukar shock troops. However, the stillsuits were baggy and pretty poor (David Lynch made a much better go of them). The Spacing Guild members with their pointy hats seem influenced by the cover of the old paperback I read as a child.
The Petra styled desert sietches with stone furniture and hanging plants contrast well with the ostentatious Imperial and Harkonnen sets. The Islamic and Christian references from the book are present and correct and Paul has a real T.E. Lawrence feel to him.
Would I recommend it to someone new to Dune? Although this adaptation is far less confusing than Lynch's Dune I'd still say you should read the book first as the story is complex (just look at how many names and titles Paul has: Paul Atreides, Muad'Dib, Usul, Mahdi, Kwisatz Haderach) and the miniseries is very long (4:39 hours).
Note that the Australian Umbrella blu-ray has hard-coded French subtitles for the infrequent Bene Gesserit dialogue. English subs do not exist for these brief sections :(
Overall, a thoroughly enjoyable, if flawed, miniseries.
"I must not fear.
Fear is the mind-killer.
Fear is the little-death that brings total obliteration.
I will face my fear.
I will permit it to pass over me and through me.
And when it has gone past I will turn the inner eye to see its path.
Where the fear has gone there will be nothing. Only I will remain."
Letterboxd Review
Horror / Giallo / Exploitation / Underground / Sci-Fi / Experimental / Poliziotteschi/ Trash / Drone / Punk / Noise / Metal / Jazz
Showing posts with label religion. Show all posts
Showing posts with label religion. Show all posts
Sunday, 19 March 2017
Sunday, 15 January 2017
Midwinter of the Spirit (2015)
Slightly spooky. Equal parts irritating, hysterical, obvious and silly with a lacklustre ending.
Letterboxd Review
Letterboxd Review
Labels:
child abuse,
crap,
drama,
horror,
itv,
miniseries,
netflix,
religion,
tv,
uk,
witchcraft
Wednesday, 4 January 2017
Hell on Earth: The Desecration & Resurrection of The Devils (2002)
I don't think I'll ever shift the image of
Lovejoy's Tinker (Dudley Sutton) warming actresses goose-pimpled tits
with a hairdryer out of my head.
For those wondering, there are short clips of the 'Rape of Christ' and 'Charred Bone' scenes on the 2-disc BFI DVD but they are not shown in their entirety thanks to the restrictions imposed on the release by Warner Brothers. As far as I know, apart from bootlegs and youtube clips taken from VHS recordings of the original Channel 4 airing of 'Hell on Earth' there is currently no way to see these excised scenes.
A bloody good documentary on an excellent film but both critic Alexander Walker and Warner Brothers are Grade-A dicks.
The world without Ken Russell and Derek Jarman is a little more dull and pedestrian :(
Letterboxd Review
For those wondering, there are short clips of the 'Rape of Christ' and 'Charred Bone' scenes on the 2-disc BFI DVD but they are not shown in their entirety thanks to the restrictions imposed on the release by Warner Brothers. As far as I know, apart from bootlegs and youtube clips taken from VHS recordings of the original Channel 4 airing of 'Hell on Earth' there is currently no way to see these excised scenes.
A bloody good documentary on an excellent film but both critic Alexander Walker and Warner Brothers are Grade-A dicks.
The world without Ken Russell and Derek Jarman is a little more dull and pedestrian :(
Letterboxd Review
Labels:
bfi,
channel 4,
documentary,
dvd,
exploitation,
great,
horror,
religion,
uk
Monday, 28 November 2016
Dragonslayer (1981)
A lot of sorcery but very little sword. Great fun with very good production values for the genre and period - the animatronic/stop-motion dragon was excellent. Plus corrupt nobility, Christianity subverting paganism, gore, sideboobs and bottoms, and cute little baby dragons feasting on the flesh of a princess!
A most unDisney Disney film.
"Let it stand!"
Letterboxd Review
A most unDisney Disney film.
"Let it stand!"
Letterboxd Review
Wednesday, 2 November 2016
Return of the Blind Dead (1973)
The grubby, crusty, devil worshipping zombie-mummy-vampire-skeleton-Templars on fucking HORSES are back but this time aided by a doom-saying Igor (played by a post-stroke and monobrowed Al Pacino) who wakes them from their evil slumber.
Is the sequel as scuzzy and atmospheric as the original? Generally speaking, yes. There are some great gruey effects with lashings of Humbrol red Euro-blood. It's simpler, faster-paced, more bloody and with a larger cast than the original. I even liked the sub-Carry On comedic scenes with the Commissioner and the miming maid. Unfortunately, some of the creeping atmosphere of the first film is lost amid the town location and the large cast, although that shot, near the end of the film, of the Templars standing still outside the church at dawn is fantastic. Lastly, what is it with zombie horses that cause a weird time-dilation whenever they're ridden?
As well as Igor, the cast includes, an eyebrowless (I think Igor got her share) woman whom everyone seems to have fallen head-over-heels in love with; a real bastard of a mayor; a rapist henchman; and a sexist ex-army firework technician.
You know what I'd love to see? The Blind Dead Versus The Flashing Blade!
This review was for the longer Spanish cut.
Nope-Tober: Random Shit for an Ill-disciplined Mind
Letterboxd Review
Is the sequel as scuzzy and atmospheric as the original? Generally speaking, yes. There are some great gruey effects with lashings of Humbrol red Euro-blood. It's simpler, faster-paced, more bloody and with a larger cast than the original. I even liked the sub-Carry On comedic scenes with the Commissioner and the miming maid. Unfortunately, some of the creeping atmosphere of the first film is lost amid the town location and the large cast, although that shot, near the end of the film, of the Templars standing still outside the church at dawn is fantastic. Lastly, what is it with zombie horses that cause a weird time-dilation whenever they're ridden?
As well as Igor, the cast includes, an eyebrowless (I think Igor got her share) woman whom everyone seems to have fallen head-over-heels in love with; a real bastard of a mayor; a rapist henchman; and a sexist ex-army firework technician.
You know what I'd love to see? The Blind Dead Versus The Flashing Blade!
This review was for the longer Spanish cut.
Nope-Tober: Random Shit for an Ill-disciplined Mind
Letterboxd Review
Labels:
anchor bay,
dvd,
exploitation,
great,
horror,
nopetober,
religion,
rural-horror,
spain,
zombie
Sunday, 30 October 2016
Sennentuntschi (2010)
A Swiss, neo-giallo fairytale? Sennentuntschi reminded me a great deal of Fulci's Don't Torture a Duckling with its themes of religion, superstition and mob-rule but adds misogyny to the mix.
The flashback within a flashback structure is handled extremely well and keeps you guessing whether the Sennentuntschi is supernatural or mundane right up until the end.
Pretty chilling stuff if a little overlong.
Letterbox Review
The flashback within a flashback structure is handled extremely well and keeps you guessing whether the Sennentuntschi is supernatural or mundane right up until the end.
Pretty chilling stuff if a little overlong.
Letterbox Review
Friday, 14 October 2016
Satan’s Little Helper (2004)
A budding, Satan-obsessed psychopath gets some work experience as the apprentice for a panty-sniffing, wine connoisseur of a serial killer who uses the cover of Halloween to hide his nefarious doings.
There are so many highlights:
"Is he [God] willing to prevent evil, but not able? then he is impotent. Is he able, but not willing? then he is malevolent. Is he both able and willing? Whence then is evil?" -- David Hume (quoting Epicurus), Dialogues Concerning Natural Religion, Part X, 63
Horror-Comedy is a notoriously tough genre to pull off but Satan's Little Helper does it beautifully. I can see this becoming a staple of Halloween viewing in years to come. Goofy, blood-splattered fun for all the family!
Nope-Tober: Random Shit for an Ill-disciplined Mind
Letterboxd Review
There are so many highlights:
- Amanda Plummer and her weird, brittle voice. She pulls off the not inconsiderable task of being kooky without being irritating.
- Satan using a cat as a marker pen.
- Katheryn Winnick playing the hero in a skimpy "renaissance" dress.
- The silent Satan's hand-signs.
- Katheryn Winnick's terrible but adorable fake English accent.
- Satan's shoplifting spree.
- The disemboweling of Daddy.
- A sellotaped Carmen Miranda.
- Jesus!
"Is he [God] willing to prevent evil, but not able? then he is impotent. Is he able, but not willing? then he is malevolent. Is he both able and willing? Whence then is evil?" -- David Hume (quoting Epicurus), Dialogues Concerning Natural Religion, Part X, 63
Horror-Comedy is a notoriously tough genre to pull off but Satan's Little Helper does it beautifully. I can see this becoming a staple of Halloween viewing in years to come. Goofy, blood-splattered fun for all the family!
Nope-Tober: Random Shit for an Ill-disciplined Mind
Letterboxd Review
Saturday, 17 September 2016
The Reflecting Skin (1990)
A prairie fairytale full of biblical
symbolism (Cain/Cameron, Abel/Aben, Seth and there's more than a touch
of Lilith to Lindsay Duncan's Dolphin Blue) and stunning imagery, told
through the warped eyes of a child. The film reminded me a lot of the
strange, almost-real world narrated in Tom Wait's Kentucky Avenue.
The Reflecting Skin has more than a touch of David Lynch and Terrence Malick and is stylised, off-kilter, strange, horrifying, funny and touching with a beautiful Samuel Barber-like score. A child's tale of abuse, neglect, loss, religion and sexuality.
EDIT: I've been thinking about the score and I think there's a lot of Gallipoli in it as well.
Nope-Tober: Random Shit for an Ill-disciplined Mind
Letterboxd Review
The Reflecting Skin has more than a touch of David Lynch and Terrence Malick and is stylised, off-kilter, strange, horrifying, funny and touching with a beautiful Samuel Barber-like score. A child's tale of abuse, neglect, loss, religion and sexuality.
EDIT: I've been thinking about the score and I think there's a lot of Gallipoli in it as well.
Nope-Tober: Random Shit for an Ill-disciplined Mind
Letterboxd Review
Labels:
blu-ray,
child abuse,
coming of age,
drama,
gothic,
great,
horror,
nopetober,
religion,
vampire
Monday, 12 September 2016
Satanic Pandemonium (1975)
AKA: The Last Temptation of Sister MarÃa.
A little slower paced and not quite as crazy as Alucarda but Satanico Pandemonium has everything you need in a nunsploitation flick: boobs, bush, a cilice, flagellation, Satan, sex, lesbian sex, corruption of the innocent, murder, torture, a fluffy lamb, and, just when I thought we'd run out of time, an orgy.
Wicked theremin, organ and drum score.
Nope-Tober: Random Shit for an Ill-disciplined Mind
Letterboxd Review
A little slower paced and not quite as crazy as Alucarda but Satanico Pandemonium has everything you need in a nunsploitation flick: boobs, bush, a cilice, flagellation, Satan, sex, lesbian sex, corruption of the innocent, murder, torture, a fluffy lamb, and, just when I thought we'd run out of time, an orgy.
Wicked theremin, organ and drum score.
Nope-Tober: Random Shit for an Ill-disciplined Mind
Letterboxd Review
Saturday, 3 September 2016
Z for Zachariah (2015)
Obvious, more than a little obnoxious and dull.
Letterboxd Review
Tuesday, 16 August 2016
The Pendle Witch Child (2011)
An interesting documentary on the
Pendle/Lancaster witch trails with some very nice animation. Would make a
nice companion piece to either Haxan or The Witch and it's available on iPlayer.
See Mark C's review for a more detailed review.
Letterboxd Review
See Mark C's review for a more detailed review.
Letterboxd Review
Labels:
bbc,
documentary,
iplayer,
religion,
tv,
witchcraft
Thursday, 11 August 2016
Stalker (1979)
Biblical, Arthurian, a Soviet Wizard of Oz.
"For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known."
"Joy, beautiful spark of divinity,
Daughter from Elysium,
We enter, drunk with fire,
Heavenly, thy sanctuary!
Your magics join again
What custom strictly divided;
All people become brothers,
Where your gentle wing abides."
Letterboxd Review
"For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known."
"Joy, beautiful spark of divinity,
Daughter from Elysium,
We enter, drunk with fire,
Heavenly, thy sanctuary!
Your magics join again
What custom strictly divided;
All people become brothers,
Where your gentle wing abides."
Letterboxd Review
Saturday, 23 July 2016
Sunday, 19 June 2016
Horns (2013)
The way Radcliffe slams the needle down on Heroes made me wince. Pretty fucking biblical!
Letterboxd Review
Letterboxd Review
Wednesday, 8 June 2016
The Antichrist (1974)
A cross between The Exorcist and The Devils with a bit of Rosemary's Baby thrown in for good measure and a beautiful, violin-led Morrecone score.
Letterboxd Review
Letterboxd Review
Labels:
dvd,
exploitation,
horror,
italy,
optimum,
religion,
witchcraft
Saturday, 4 June 2016
Exorcist II: The Heretic (1977)
An unholy mess of a film. Forget the original when you watch it and
think of The Heretic as a great exploitation film and you can't go
wrong. It's sad that I waited 30 years before watching this nutty
film again.
Letterboxd Review
Letterboxd Review
Thursday, 2 June 2016
The Exorcist (1973)
Director's Cut AKA The Version You've Never Seen.
The eleventy-stupid time I've seen this film since about 1979 and it's still amazing.
Not a review but a couple of questions:
I'd like to think what others think of Ellen Burstyn's character, Chris MacNeil? Whiny, rich, entitled (two houses, three servants - and they are servants and not staff, an invitation to the White House that she casually dismisses and a daughter that wants a pony) and irritating as fuck but I think Burstyn nails it. Is her character a counterpoint for god? Is Blatty/Friedkin saying that our worship of false idols/films stars/celebrities has taken us further away from god?
It's funny how, as an atheist, and after watching some of the most gross and horrific films ever made that The Exorcist still scares me more than any other film. Is it because I'm subconsciously worried that my position could be wrong or that the dismissal of science for anything we cannot understand terrifies me?
Letterboxd Review
The eleventy-stupid time I've seen this film since about 1979 and it's still amazing.
Not a review but a couple of questions:
I'd like to think what others think of Ellen Burstyn's character, Chris MacNeil? Whiny, rich, entitled (two houses, three servants - and they are servants and not staff, an invitation to the White House that she casually dismisses and a daughter that wants a pony) and irritating as fuck but I think Burstyn nails it. Is her character a counterpoint for god? Is Blatty/Friedkin saying that our worship of false idols/films stars/celebrities has taken us further away from god?
It's funny how, as an atheist, and after watching some of the most gross and horrific films ever made that The Exorcist still scares me more than any other film. Is it because I'm subconsciously worried that my position could be wrong or that the dismissal of science for anything we cannot understand terrifies me?
Letterboxd Review
Sunday, 20 December 2015
Cube (1997) & Cube 2: Hypercube (2002)
Cube (1997)
Seven people trapped inside a large Rubik's Cube discuss religion, chaos theory and nihilism, while dodging devilish traps and personal insecurities.Cube is an existential sci-fi horror film with passable acting, clever set design and some good ideas.
The long dark night of the soul on a budget.
Cube 2: Hypercube (2002)
Ten people trapped inside a large Rubik's Cube discuss bugger all, while dodging cut-price CGI traps and the need to kill an irritating old lady.Cube 2: Hypercube is a terrible sci-fi horror film with some truly horrendous acting, dull set design and no idea what the term quantum really means.
The long dark night of my soul on a larger budget.
Wednesday, 6 May 2015
Until the Light Takes Us (2008)
An interesting documentary about the Norwegian Black Metal scene: its early days; the church burning, murder and suicide and the resultant media outrage; and where it's heading nowadays.
Anti-church, anti-globalisation, anti-american, anti-homogenisation, anti-christ and unfortunately nationalistic, homophobic and racist. Black Metal is a movement that on the surface has a left-leaning libertarian stance but dig a little deeper and an extreme right-wing tendency rears its ugly head.
If only they could have separated their hatred of christian dogma from christian art, maybe the beautiful stave churches would still be standing.
Original letterboxd review
Anti-church, anti-globalisation, anti-american, anti-homogenisation, anti-christ and unfortunately nationalistic, homophobic and racist. Black Metal is a movement that on the surface has a left-leaning libertarian stance but dig a little deeper and an extreme right-wing tendency rears its ugly head.
If only they could have separated their hatred of christian dogma from christian art, maybe the beautiful stave churches would still be standing.
Original letterboxd review
Subscribe to:
Posts (Atom)




















