A complex story of politics, religion, mysticism, treachery, revenge, prophesy and revolution. Sci-Fi Fantasy on a grand scale.
Dune is my second favourite sci-fi book after Arthur C. Clarke's "Rendezvous with Rama" but while this miniseries sticks closer to the source than David Lynch's film, the production values don't do it any favours, with poor effects and a second-rate cast.
The performances are all over the place; P.H. Moriarty as Gurney Halleck is terrible, Baron Harkonnen, Feyd and the Beast do not instil any sort of terror. Paul is played pretty well by Alec Newman, starting off as an arrogant, petulant child before becoming the devotion inspiring Mahdi. It's been a few years since I read the book but I'm sure some of the dialogue was "modernised" and didn't seem to have the elegant and archaic language of the book.
Effects-wise: the Shai-Hulud were okay and you got a good feel for their huge scale but it's best to ignore the shoddy green-screen work. The ornithopters didn't look anything like what I thought an ornithopter should look like.
The costumes and set-dressing, although cheap-looking, had that ostentatious Machiavellian/Borgia/Renaissance/Age of Enlightenment feel that runs throughout the book. I loved the fascistic Samurai look that they gave the Harkonnen and disguised Sardaukar shock troops. However, the stillsuits were baggy and pretty poor (David Lynch made a much better go of them). The Spacing Guild members with their pointy hats seem influenced by the cover of the old paperback I read as a child.
The Petra styled desert sietches with stone furniture and hanging plants contrast well with the ostentatious Imperial and Harkonnen sets. The Islamic and Christian references from the book are present and correct and Paul has a real T.E. Lawrence feel to him.
Would I recommend it to someone new to Dune? Although this adaptation is far less confusing than Lynch's Dune I'd still say you should read the book first as the story is complex (just look at how many names and titles Paul has: Paul Atreides, Muad'Dib, Usul, Mahdi, Kwisatz Haderach) and the miniseries is very long (4:39 hours).
Note that the Australian Umbrella blu-ray has hard-coded French subtitles for the infrequent Bene Gesserit dialogue. English subs do not exist for these brief sections :(
Overall, a thoroughly enjoyable, if flawed, miniseries.
"I must not fear.
Fear is the mind-killer.
Fear is the little-death that brings total obliteration.
I will face my fear.
I will permit it to pass over me and through me.
And when it has gone past I will turn the inner eye to see its path.
Where the fear has gone there will be nothing. Only I will remain."
Letterboxd Review
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Showing posts with label fantasy. Show all posts
Showing posts with label fantasy. Show all posts
Sunday, 19 March 2017
Saturday, 11 February 2017
Monday, 28 November 2016
Dragonslayer (1981)
A lot of sorcery but very little sword. Great fun with very good production values for the genre and period - the animatronic/stop-motion dragon was excellent. Plus corrupt nobility, Christianity subverting paganism, gore, sideboobs and bottoms, and cute little baby dragons feasting on the flesh of a princess!
A most unDisney Disney film.
"Let it stand!"
Letterboxd Review
A most unDisney Disney film.
"Let it stand!"
Letterboxd Review
Friday, 9 September 2016
Red Shift (1978)
It's time for some, possibly incorrect,
physics tempered by poetic license. If you worked out the Earth's
position in space 1000 years ago this would also give you a measurement
of its position in time. So, ignoring relativity, the speed of light and
a few other important physical laws, if we could look at this distant
planet through the time/space continuum, we would, in effect, be looking
back through time and seeing our ancestors red-shifted.
Great performances from the two leads, Stephen Petcher as Tom and Lesley Dunlop as Jan. Also included in the cast are a young Daragh O'Malley (Sharpe) and Ken Hutchison (Ladyhawke). The dialogue is pretty damn good as well - it manages to mix the natural with the poetic brilliantly.
I see so much of myself in Tom. As well as his implied autism (meltdowns, fascination with data, language and specialisation), I met my wife, Zoe, when we were both young and we're still together 30 years later. Hopefully, so are Tom and Jan.
You know when you see a film and it affects you deeply and for that moment in time it overcomes any of its shortcomings and, to you at least, it is a truly great film. Witty, clever, romantic, horrific, beautiful and deeply moving.
The execs from those studios that seem to endlessly churn out terrible romantic dramas could do with watching this little British film and paying close attention to the relationship between Tom and Jan. How much sweeter could you get than these two? None. None more sweet. And none more real.
Life goes on. Time goes on. Everything changes. Everything stays the same. Love endures.
"Crewe? I've never felt romantic in Crewe!"
Letterboxd Review
Great performances from the two leads, Stephen Petcher as Tom and Lesley Dunlop as Jan. Also included in the cast are a young Daragh O'Malley (Sharpe) and Ken Hutchison (Ladyhawke). The dialogue is pretty damn good as well - it manages to mix the natural with the poetic brilliantly.
I see so much of myself in Tom. As well as his implied autism (meltdowns, fascination with data, language and specialisation), I met my wife, Zoe, when we were both young and we're still together 30 years later. Hopefully, so are Tom and Jan.
You know when you see a film and it affects you deeply and for that moment in time it overcomes any of its shortcomings and, to you at least, it is a truly great film. Witty, clever, romantic, horrific, beautiful and deeply moving.
The execs from those studios that seem to endlessly churn out terrible romantic dramas could do with watching this little British film and paying close attention to the relationship between Tom and Jan. How much sweeter could you get than these two? None. None more sweet. And none more real.
Life goes on. Time goes on. Everything changes. Everything stays the same. Love endures.
"Crewe? I've never felt romantic in Crewe!"
Letterboxd Review
Sunday, 29 May 2016
47 Ronin (2013)
I'm only 8 minutes in and I feel I've seen enough to be able to rate the
film. If it gets any better than half a star, I'll eat my dog.
Letterboxd Review
Letterboxd Review
Friday, 6 May 2016
Thaco (2008)
Four friends nerd-out over AD&D, GURPS, life and pizza.
Possibly incomprehensible to non-role-players (if you cannot figure out why the title "Thaco" is spelled incorrectly, this may not be the film for you), short, cheaply made, full of hammy acting and in-jokes but good fun for those of us of a lawful-evil disposition.
-- Bolus Gutbucket: Lvl 9 Lawful-Evil Dwarven Warrior (weapon of choice: a cursed, senile Bastard sword)
Letterboxd Review
Possibly incomprehensible to non-role-players (if you cannot figure out why the title "Thaco" is spelled incorrectly, this may not be the film for you), short, cheaply made, full of hammy acting and in-jokes but good fun for those of us of a lawful-evil disposition.
-- Bolus Gutbucket: Lvl 9 Lawful-Evil Dwarven Warrior (weapon of choice: a cursed, senile Bastard sword)
Letterboxd Review
Saturday, 15 August 2015
Jupiter Ascending (2014)
Lost space queen gets rescued over and over again.
Okay, Jupiter Ascending is not hard sci-fi, in fact it's barely space opera. The science is never explained and in the words of Arthur C. Clarke; "Any sufficiently advanced technology is indistinguishable from magic". What it is, is a mish-mash of myth and fairy tale, merging Greek, Roman, Norse and Hindu mythology to come up with a bizarre galaxy full of lizard men and space vampires. In one scene we even leave this established but messy and colourful background to enter Terry Gilliam's grey steampunk Brazil setting full of pipes and bureaucracy (with a cameo by Gilliam himself). What the fuck is going on here? World-building by someone with ADHD.
The plot is just as chaotic with elements of Flash Gordon, The Matrix, Barbarella, Carmilla/Elizabeth Bathory and Jason and the Argonauts. We can even mix in some Hitchcock as our heroine's name is Jupiter Jones; the same name as the leader of Hitch's Three Investigators books, which I loved as a child. It seems that Jupiter Ascending is the Wachowski's Kill Bill! Every time I think that the Wachowskis are going to say something really important about class, gender or the patriarchy, it just ends up with another scene of Mila Kunis getting rescued yet again. Come on Lana, what the fuck were you thinking! Is this the same woman that gave us the wonderful Sense8? Oh, and what was with that ending?
So the world-building is a mess, the plot is a mess, what about the characters? Channing Tatum is an odd duck. He looks so utterly blank but every film I see him in he seems to shine somehow. Like I said, odd; I like him. His satyr/fawn-like character is the usual "get out of jail free" card for the resident damsel in distress Mila Kunis, whose character sets feminism back a good 30 years by refusing to do anything proactive, giving into the baddies under the slightest pressure and needing to be rescued over and over and over again. Anyway, she's "The One" or the Queen... I forget which. Eddie Redmayne plays a cookie-cutter Machiavellian Ming the Merciless type character - he really only needed a long droopy moustache to fondle and he'd have been perfect. Sean Bean is okay.
It's all big, colourful, messy and silly but the limp portrayal of the female characters let the entire film down in my opinion.
"You don't treat your cousin like chicken!"
"Gordon's alive!"
Okay, Jupiter Ascending is not hard sci-fi, in fact it's barely space opera. The science is never explained and in the words of Arthur C. Clarke; "Any sufficiently advanced technology is indistinguishable from magic". What it is, is a mish-mash of myth and fairy tale, merging Greek, Roman, Norse and Hindu mythology to come up with a bizarre galaxy full of lizard men and space vampires. In one scene we even leave this established but messy and colourful background to enter Terry Gilliam's grey steampunk Brazil setting full of pipes and bureaucracy (with a cameo by Gilliam himself). What the fuck is going on here? World-building by someone with ADHD.
The plot is just as chaotic with elements of Flash Gordon, The Matrix, Barbarella, Carmilla/Elizabeth Bathory and Jason and the Argonauts. We can even mix in some Hitchcock as our heroine's name is Jupiter Jones; the same name as the leader of Hitch's Three Investigators books, which I loved as a child. It seems that Jupiter Ascending is the Wachowski's Kill Bill! Every time I think that the Wachowskis are going to say something really important about class, gender or the patriarchy, it just ends up with another scene of Mila Kunis getting rescued yet again. Come on Lana, what the fuck were you thinking! Is this the same woman that gave us the wonderful Sense8? Oh, and what was with that ending?
So the world-building is a mess, the plot is a mess, what about the characters? Channing Tatum is an odd duck. He looks so utterly blank but every film I see him in he seems to shine somehow. Like I said, odd; I like him. His satyr/fawn-like character is the usual "get out of jail free" card for the resident damsel in distress Mila Kunis, whose character sets feminism back a good 30 years by refusing to do anything proactive, giving into the baddies under the slightest pressure and needing to be rescued over and over and over again. Anyway, she's "The One" or the Queen... I forget which. Eddie Redmayne plays a cookie-cutter Machiavellian Ming the Merciless type character - he really only needed a long droopy moustache to fondle and he'd have been perfect. Sean Bean is okay.
It's all big, colourful, messy and silly but the limp portrayal of the female characters let the entire film down in my opinion.
"You don't treat your cousin like chicken!"
"Gordon's alive!"
Saturday, 11 July 2015
Highlander (1986)
A French man plays a Scottish highlander who is told that he is one of a race of immortals by a 1000 year old Spanish named Egyptian played by a Scot, and is hunted through the centuries by a Russian warlord played by an American.
Highlander is one of those films that really shouldn't work but somehow does. The effects are ropey, the sword-fights slow and laughable, and the dialogue cheesy. Even worse, the film has dated pretty badly displaying the lighting and editing of a eighties pop music video. Then why the hell did I enjoy it so much?
Told partially in flashbacks covering periods from sixteenth century Scotland to the battlefields of the Second World War, Highlander is a story of love, life, passion - it's a fucking opera! The mythos is interesting, although we are left thirsty for more of the background of the immortals. The characters are well rounded and come with histories that link the different time periods together quite nicely. Clancy Brown is suitably huge and menacing, Sean Connery is loud and foppish, and Christopher Lambert is roguish, but in my eyes Sheila Gish's character Rachel almost steals the film with the look she gives Connor; so full of love, regret and sadness. These are characters we become invested in.
Unlike Connor MacLeod of the Clan MacLeod, the years have not been kind and it doesn't quite have the impact it had back in the day but it's still a really fun film and, dare I say, ready for a reboot?
Highlander is one of those films that really shouldn't work but somehow does. The effects are ropey, the sword-fights slow and laughable, and the dialogue cheesy. Even worse, the film has dated pretty badly displaying the lighting and editing of a eighties pop music video. Then why the hell did I enjoy it so much?
Told partially in flashbacks covering periods from sixteenth century Scotland to the battlefields of the Second World War, Highlander is a story of love, life, passion - it's a fucking opera! The mythos is interesting, although we are left thirsty for more of the background of the immortals. The characters are well rounded and come with histories that link the different time periods together quite nicely. Clancy Brown is suitably huge and menacing, Sean Connery is loud and foppish, and Christopher Lambert is roguish, but in my eyes Sheila Gish's character Rachel almost steals the film with the look she gives Connor; so full of love, regret and sadness. These are characters we become invested in.
Unlike Connor MacLeod of the Clan MacLeod, the years have not been kind and it doesn't quite have the impact it had back in the day but it's still a really fun film and, dare I say, ready for a reboot?
Tuesday, 31 March 2015
Batman: Dead End (2003)
A talent showcase for Sandy Collora. Fun but the edits could have been a little snappier.
Watch it here
Original letterboxd review
Watch it here
Original letterboxd review
Friday, 20 March 2015
The Sword and the Sorcerer (1982)
March Around The World 2015 Challenge - USA. A replacement for Synecdoche, New York which I didn't have access to today.
From the first time I saw the three-bladed sword I knew I'd seen this before. So what does The Sword and the Sorcerer have going for it?
It doesn't have the camel punching of Conan or the sheer awesomeness of Crow from Hawk the Slayer but The Sword and the Sorcerer is a decent low budget bundle of cheese that's worth checking out.
A parting thought: Why the fuck didn't evil king Cromwell kill his architect rather than imprisoning him so he could divulge the castles secrets? He killed, or at least tried to kill, every other fucker!
Talon! Talon! Talon!
Original letterboxd review
From the first time I saw the three-bladed sword I knew I'd seen this before. So what does The Sword and the Sorcerer have going for it?
- Conan-like voiceover
- An evil kingdom ruled over by a wicked king... called Cromwell! Damned royalists everywhere!
- A good kingdom ruled over by a hippy called Dick
- A pretty good demon with glowing fingers that should have been in it way more than it was
- A witch
- Pustules
- A hero called Talon. Why are they never called Dave or Susan?
- Badly glued-on beards and moustaches
- Skulking
- A fair amount of blood and gore
- A princess
- Treachery
- Humour
- Bad hair. Really, really bad hair
- Fucking Manimal himself!
- Rats
- The cheesiest most triumphal music ever!
- Boobies, both male and female
- Pretty purple sparks in the final fight scene
- Molestation by snake
It doesn't have the camel punching of Conan or the sheer awesomeness of Crow from Hawk the Slayer but The Sword and the Sorcerer is a decent low budget bundle of cheese that's worth checking out.
A parting thought: Why the fuck didn't evil king Cromwell kill his architect rather than imprisoning him so he could divulge the castles secrets? He killed, or at least tried to kill, every other fucker!
Talon! Talon! Talon!
Original letterboxd review
Saturday, 14 March 2015
Superman IV: The Quest for Peace (1987)
I only caught the last 15 minutes, and you know what? I'm fucking glad I missed the rest!
Original letterboxd review
Original letterboxd review
Sunday, 23 November 2014
Beasts of the Southern Wild (2012)
A young girl's life on the wrong side of the levee and how even the worst of situations are a grand adventure.
Community and disconnectedness. Mythology and reality. Hope and disappointment. Life and death. Strength and fragility. Destruction and resilience. The forgotten and dispossessed. Journeys and endings.
No matter how cruel and abusive fathers can be they are still giants in the eyes of their children. Maybe we should try and live up to that.
Primal, mythic and touching. Heartbeats, hooves and thunder.
Original letterboxd review
Community and disconnectedness. Mythology and reality. Hope and disappointment. Life and death. Strength and fragility. Destruction and resilience. The forgotten and dispossessed. Journeys and endings.
No matter how cruel and abusive fathers can be they are still giants in the eyes of their children. Maybe we should try and live up to that.
Primal, mythic and touching. Heartbeats, hooves and thunder.
Original letterboxd review
Sunday, 9 November 2014
A Knight’s Tale (2001)
From the opening joust fought to the tune of "We Will Rock You we know we're in for something a little different. Medieval tournaments crossed with modern day football, celebrity, and The Canterbury Tales, soundtracked with classic rock. Sounds awful? Well, it isn't and I'll take a lance to any knave that says otherwise!
A great big glorious mess of a movie and I love it!
Original letterboxd review
A great big glorious mess of a movie and I love it!
Original letterboxd review
Wednesday, 5 November 2014
Godzilla (2014)
I missed this at the cinema and can only assume that seeing it on the big screen allows to you to, well, see it. That doesn't really makes sense does it? The problem was that I couldn't see a bloody thing during the final fight. Nothing. Black with occasional muted red tints. Really, really annoying. I missed the payoff, the money shot. Is it just me? Does anyone else find the blu-ray really dark?
As for the rest. Bryan Cranston was annoying for the short time he was on screen. Ken Watanabe was awesome, as always. The sound design in places was fantastic, especially during the final fight; great use of muted sounds and silence. The HALO was very impressive and I'm a little jealous of the people that saw this sequence at the cinema.
Overall, a monster movie, driven by coincidence, with an extremely dark finish that ruined the entire film.
Original letterboxd review
As for the rest. Bryan Cranston was annoying for the short time he was on screen. Ken Watanabe was awesome, as always. The sound design in places was fantastic, especially during the final fight; great use of muted sounds and silence. The HALO was very impressive and I'm a little jealous of the people that saw this sequence at the cinema.
Overall, a monster movie, driven by coincidence, with an extremely dark finish that ruined the entire film.
Original letterboxd review
Saturday, 6 September 2014
House (1977)
- Monkey
- Batman: The Movie
- The Yellow Submarine
- The Double Deckers
- Sante Sangre
- 70's live action Disney movies
- The Monkees
- Fairground ghost train rides
- Bedknobs and Broomsticks
- The Evil Dead 2
- The Brady Bunch Movie
- Wild Zero
- El Topo
- Scooby Doo
- Children's Film Foundation films
- Phantom of the Park
- Rocky Horror Picture Show
- Dodgy kung-fu movies
- Sesame Street animations
- The Banana Splits
- The BBC's production of Pinter's The Birthday Party
Original letterboxd review
Saturday, 19 July 2014
Rise of the Planet of the Apes (2011)
Fuck Peter Jackson! This is what we want! Is it as good as the '68 film - no, no NO! Is it as good as it closest relation (Conquest of the Planet of the Apes) - no, it's better. Far too many exclamation points! Out!
Original letterboxd review
Original letterboxd review
Thursday, 10 April 2014
Conan the Barbarian (2011)
I enjoyed it more the second time around. Jason Momoa was a decent Conan, well better than Arnie anyway! I just don't understand, when they have a huge amount of stories to pluck ideas, places and characters from, why they came up with an original plot. I'm still waiting for the perfect Conan movie but for the time being this is the best of the lot. Please can we have a multi-linguist, intelligent, panther like Conan next time?
Original letterboxd review
Original letterboxd review
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