Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

Tuesday, 17 May 2016

So Deadly, So Perverse: 50 Years of Italian Giallo Films, Volume 1, 1963 to 1973 (2015)

Author: Troy Howarth
Year: 2015
Publisher: Midnight Marquee Press Inc.
Format: Soft-cover (28cm x 22cm)
Pages: 233

What Troy Howarth has attempted with So Deadly, So Perverse is pretty amazing; a two volume history of the Gialli which includes all of the major releases in the genre as well as a large number of the lesser known examples. Given that the definition of a Giallo film twists and turns like the plot in one of the films, it's not surprising that you may find a favourite missing due to it not hitting Troy's definition of a Giallo.

Starting with a series of articles on the roots of the Giallo, including a piece but the legendary screenwriter Ernesto Gasdaldi, an article on the Italian pulp books that inspired the genre and an explanation of the term Giallo and what films in the book have been included, what has not been left out and why. The book then moves on to a year-by-year analysis of over one hundred films.

Each film's entry starts with some basic details including title (and alternative titles), cast and crew and home video availability (please note that, as in most reference guides, the DVD/Blu-ray release information is now out of date and many of the films now have higher quality releases available). This is followed by a spoiler-less synopsis of the plot, Troy's opinion of the film and then some brief background details of notable members of the cast and crew. Some films take only half a page whilst other, more important works are allowed several pages including full colour photos and poster reproductions.

A terrific encyclopaedia of Giallo with an impressive number of titles, many of which I've never heard of. Troy's opinion, whilst personal, is never overbearing and always tries to find the positive points in even the most derivative of films.

If there is a fault it is that there is no index that lists which page a particular film appears on (only the year it was made). Add to this is the fact that the year is only printed at the start of each chapter and not the top of each page and you have an amazing resource that hides the film, for which you are looking, deep within labyrinthine list of other suspects. Much like a Giallo then :)

Highly recommended and essential for fans of the Giallo.

Thursday, 28 January 2016

Weng's Chop: Issue 0 (2012)

I grew up with zines. I remember the old punk zines, I was a Hawkfan and had some of the Hawkwind zines, then the hardcore punk zines - back when I ran a punk distro I even had an advert in some of them. In other words I love them. For some reason though, film zines just passed me by. Sure I read Fangoria, Darkside and even Samhain, but all those handmade, handwritten horror manifestos went straight under my radar. Then I noticed some of my Amazon recommendations were books with names like Cinema Sewer and Weng's Chop and that they had volume and issue numbers! It seems that zines are alive and well in the age of the internet and, as I'd just received a Christmas bonus, I thought I'd check them out and ordered the full back catalogue of both Cinema Sewer and Weng's Chop.

The first issue of Weng's Chop is a wee zine. It's a 52 page, small format book filled with B&W print and illustrations, and comes wrapped in a full colour, perfect bound, soft cover. The zine covers exploitation, horror, adult, gonzo, trash and the weird side of film. For those worried about illegible handwritten text and cut and paste layout, do not fear. Although the print is small it's cleanly layed-out and completely readable. Sure it has the occasional spelling and grammatical error but so fucking what. It's full of the same passion and energy of the zines of yore.

The reviews are informative, funny and not snobby or elitist in the least. The authors really know their stuff and each has their own area of expertise. The frequent cast, crew and film references will give you hours of fun searching on IMDb and Amazon, although your bank balance may regret it.

Weng's Chop is from people that understand grindhouse, exploitation and underground films and get that it's not the end of the world if an acting performance doesn't hit the mark in some low budget indie gore-fest. They get that. That's not to say that it's full of fanboy gushing as they're not afraid to lay into any fuckups, but, as they say, it's all about the context.

The standouts are:
  • The editorial - a lovely and funny intro.
  • The 'Bohachi Bushido' review - the sheer passion really made me want to see this film.
  • The House by the Cemetery (Christian version) - I had no idea this monstrosity existed!
  • The article on Indian horror. If I can get past those bloody song and dance numbers I may just have to get some of these.
Totally recommended.

Tuesday, 18 August 2015

The New Flesh: 21st Century Horror Films A-Z, Volume 1 (2015)

Author: Stuart Willis
Size: 450 pages
Publisher: CreateSpace Independent Publishing Platform (27 Mar. 2015)
ISBN-10: 1511490810
ISBN-13: 978-1511490818
Buy: Amazon

I've finally finished reading The New Flesh and I thoroughly loved it. There are few reference guides that take the time to review obscure underground horror films and Stuart spends a large chunk of the volume doing precisely that. Yes, it is self-published but please don't let that put you off. In fact that's a good thing; I can guarantee that a "proper" publisher would have insisted that the majority of the book be taken up with reviews of the more mainstream, franchise films that have flooded the horror market this century, just to sell more copies.

The reviews are personal, but not overly opinionated, funny and knowledgeable. You can tell that Stuart loves horror films, he really knows his stuff and wants to share that passion with others. The films are listed in alphabetic order which removes the need for an index. Also, the review for each film is listed under it's English title, although a pointer is also given to the correct review for all foreign language titles.

If I have one issue with the book it is that a small section on availability for each film would have been really useful. As you know, tracking down horror films on DVD is a bit of a quagmire and it's even worse for independent films, with multiple releases, cuts, publishers, formats, covers! A small "The best versions currently available" box would have been nice. Mind you, I would imagine this information going rapidly out of date. Or maybe an appendix listing publisher's websites - that would work.

Apparently the second volume will deal even more with underground horror which is great! I'll be the first in line when it's published. Good stuff Stuart!

Tuesday, 2 June 2015

Film Reference Books Page Added

I've just created a page listing some film reference books that I have or have owned in the past. No review as such but I've given details for each book as well as a brief mini-review and an Amazon link.

Included are:
  • The Story of Film: A concise history of film and an odyssey of international cinema
  • Nightmare Movies: Horror on Screen Since the 1960s
  • Eaten Alive!: Italian Cannibal and Zombie Movies
  • The New Flesh: 21st Century Horror Films A-Z, Volume 1
  • The Psychotronic Video Guide
  • The Mammoth Book of Slasher Movies
  • Horror!: Films to Scare You to Death
  • Shock Xpress: v. 1: Essential Guide to Exploitation Cinema
  • Broken Mirrors/Broken Minds: Dark Dreams of Dario Argento
  • A Pictorial History of Horror Movies
  • Monsters of the Movies
The link is over there on the right  ==========>

Sunday, 31 May 2015

Mickey Spillane: The UK Corgi editions

Ipcress (AKA Leonard), a letterboxd friend has recently been on a big Mike Hammer kick and we've had a few small conversations about the artwork, especially on the UK Corgi editions. Years back I had a site with a whole section dedicated to Spillane paperbacks, but even the Wayback Machine can't seem to bring back the cover images I stored there. Sadly, over the years, I've lost a lot of my collection (including some gorgeous 1950's editions) but as some of the covers are so beautiful I thought I'd join Ipcress in his appreciation of them and list the ones I have on this here blog starting with the earliest, and in my opinion, best.

The sad thing is that the cover artist was never acknowledged in the publishing details, so if anyone knows who he or she was please let me know.

Kiss Me, Deadly

This is a 1963 Corgi edition with a great cover. After some research I've discovered the cover artist may be Renato Fratini.

"My name is Mike Hammer. I must tell you about this dame - the dame who almost fell under my car; who wasn't wearing a stitch under her coat. Well, she died in the most horrible way you can imagine. I saw it - and heard it.

The cops reckoned they'd pin the rap on me, but I had other ideas, like who were the real killers; and why.

M-A-F-I-A. Heard of them? Five letters which spell terror and death whichever way you look at them.

But I was going to put the skids under the big guys, and when they fell, I was going to be around. To make sure they fell hard - and dead."

I, the Jury

Another 1963 Corgi edition. After some research I've discovered the cover artist may be Renato Fratini.

"The name's Hammer. I'm a private investigator; I expect you've met me. You've never met my friend. He was once my buddy, but now he's dead, murdered callously by a killer who stood by and laughed.

Now when this kind of thing happens, it makes me want to hit out; watch the killer crawl, hear him beg for mercy as my finger tightens on the trigger.

But there are problems. Whenever I chase a lead, a beautiful dame turns up. You can never trust a dame.

Pat Chambers of Homicide is after the killer too. If he gets him, he'll only stick him in front of a jury. But when I catch up with him, I'll be the Jury, and the judge, and the executioner."

The Girl Hunters

1963 Corgi edition

"Mike Hammer is back!

Mike is found in the gutter - an alcoholic on the verge of losing his mind. It has taken him seven years to reach this point: seven years of guilt for believing he caused the death of Velda, the girl he loved.
Then he hears: Velda may still be alive, but before he can be sure, he must find and destroy a master killer called the Dragon.

Make Hammer Versus the Dragon - care to take odds on the result?"


My Gun is Quick

1965 Corgi edition. This is a big of an anomaly as Corgi ditch the fantastically painted covers for dull photographed ones. Lucky the 1967 saw the painted covers make a comeback.

"My name's Mike Hammer.

I'm a private eye, or detective (it depends which way you look at things). I don't operate in what is generally known as the better places, and I carry a gun.

This day I'm talking about, the redhead said Hallo. When redheads come and introduce themselves to me, it usually means one thing - but not, brother, this one. All she wanted was a square meal and somebody to talk to... It ended up in me beating the skin off some louse who interfered in the lady's business - not many hours later she was lying in the gutter, dead. I liked that redhead, and I didn't like murder, which my instincts told me it was, not an accident. I don't make a steady habit of rescuing dames on the loose, but if she's pretty it makes it worth the trouble, and if she's dead that makes me sore.

That's the best excuse I know for proving that my gun is quick."

One Lonely Night

A 1967 Corgi edition that some idiot has drawn in in biro. The '67 edition covers were not quite as beautiful as the '63s but still very nice.

"I'm a murderer - that entitles me to the chair. The judge said so. But they can't touch me - because my name's Mike Hammer. I'm a private investigator - with a licence to kill...

It all started when I found the girl on the bridge that night. She threw herself over the side before I could stop her... but she did leave her card behind, a small green one. The hood who had been following her didn't live long enough to give any explanations... he had a green card too. Pretty odd.

There's something inside me which makes it my business when two bodies turn up the same calling card. My friend Pat from the Squad had some very interesting information. One of the most vicious rackets in America was operating right under our noses - and now I knew, the smell wasn't very nice.

I'm a murderer, I'm scum, the judge said so. But when something dirty sticks its head right in front of my gun sights, I pull the trigger... I don't bother about consequences. It's my job to enforce the law, and I do it the quickest, cleanest way I know how."

The Big Kill

Corgi 1967 edition.

"My name's Mike Hammer. You've probably met me before. I'm a private investigator and I take any job that arouses my interest - or my anger at this crummy world we live in. This time they've made me angry - they meaning I don't know who. But I'm sure going to find out, however long it takes me.

It's funny how fate turns the switches. That tawny-haired angel who happened in on the case was just too good to be true. Orphans, murder, and then dames: trouble in three easy stages.

Still, that's my job."

The Twisted Thing

Corgi 1967 edition.

"My name's Mike Hammer. I guess you've heard of me. I'm a private eye - and I get pretty mad when someone beats up an old friend - especially when the one doing the beating up is a cop.

It all started when the boy was kidnapped. No ordinary boy either. This boy, Ruston, was a genius. His father wasn't so clever, though. He called in the cops.

Dilwick was in charge of the case. The dirtiest, roughest cop who ever walked a beat.

So I had to find the kid first; it was as simple as that."

The Snake

Corgi 1969 edition. The shitty photographed covers are back and even worse than before!

"It took Mike Hammer seven years to find out that Velda, the girl he loved, was still alive. They came together again in passion, but it wasn't long before Mike discovered that being with Velda still meant danger.

Velda had offered protection to a girl who was convinced she was to be killed. And the girl was wanted badly enough for Make and Velda to be in bad trouble.

Make Hammer had to fight or shoot his way out of many desperate situations before he was able to solve the mystery of why the girl was wanted, and why she kept talking about someone she could only identify as...The Snake."

The Body Lovers

Corgi 1971 edition. The painted covers are back again, but this time with a very 70's vibe.

"Let me introduce myself. Mike Hammer - private detective.

I wouldn't say I look for trouble but it certainly has a way of finding me. Now take the other night; there I was, driving along, minding my own business, when I heard a kid screaming. So, I stopped the car, grabbed a flashlight, and ran.

I found the kid. I also found what he was screaming about. He'd stumbled across the body of what was once a beautiful red-head - but now the body was a mess, and something had put an expression of stark terror into the face."

Survival... Zero!

Corgi 1971 edition. Even more seventies looking!

"Who would want to kill a nobody like Lippy Sullivan, and why?

Before Mike Hammer finds out the answers, he is running interference for the CIA, and he learns more than is good for him about germ warfare, the TV industry, and a certain blonde with eyelashes painted round her navel."






Vengeance is Mine

Corgi 1973 edition. The worst Spillane cover ever; just nasty! Cover may be by Michael Codd.

"The D.A. had really been after my gun licence for a long time. Now it really looked as if he had me cold - at least it looked that way to him. My name's Mike Hammer, I'm a - well, let's say a private eye working here in N.Y. - and my friend Chester Wheeler is in his hotel room, stone dead, with my gun in his hand.

It looked like a straight forward suicide case to everyone, except me - and when I discovered what kind of women Chester had been associating with recently, and when some thugs tried to persuade me to get disinterested, I realised that I'd tumbled on something pretty corrupt, and I would have to get to the bottom of it fast, before any more nice people like Chester found themselves booked for eternity - in six feet of earth."

Missing are my copies of The Girl Hunters (1970's edition), Vengeance is Mine (1950's), One Lonely Night (1950's), Return of the Hood, Killer Mine (several editions), The Erection Set, The Killing Man hardback amongst others. I also have a old 60s hardback of The Deep without a dust-jacket.