It's time for some, possibly incorrect,
physics tempered by poetic license. If you worked out the Earth's
position in space 1000 years ago this would also give you a measurement
of its position in time. So, ignoring relativity, the speed of light and
a few other important physical laws, if we could look at this distant
planet through the time/space continuum, we would, in effect, be looking
back through time and seeing our ancestors red-shifted.
Great
performances from the two leads, Stephen Petcher as Tom and Lesley
Dunlop as Jan. Also included in the cast are a young Daragh O'Malley
(Sharpe) and Ken Hutchison (Ladyhawke). The dialogue is pretty damn good
as well - it manages to mix the natural with the poetic brilliantly.
I
see so much of myself in Tom. As well as his implied autism (meltdowns,
fascination with data, language and specialisation), I met my wife,
Zoe, when we were both young and we're still together 30 years later.
Hopefully, so are Tom and Jan.
You know when you see a film and
it affects you deeply and for that moment in time it overcomes any of
its shortcomings and, to you at least, it is a truly great film. Witty,
clever, romantic, horrific, beautiful and deeply moving.
The
execs from those studios that seem to endlessly churn out terrible
romantic dramas could do with watching this little British film and
paying close attention to the relationship between Tom and Jan. How much
sweeter could you get than these two? None. None more sweet. And none
more real.
Life goes on. Time goes on. Everything changes. Everything stays the same. Love endures.
"Crewe? I've never felt romantic in Crewe!"
Letterboxd Review